• Block Island
    • Block Island 1978 - 1981
    • Walking: Cooneymus to Old Harbor Point 1986
    • Reflections in an Avoided Mirror
    • Block Island 2020
    • Ocean / Sky: One Hundred Views
    • Light in January: Cape Cod
    • Field
    • Rock, Ocean, Sky: Narragansett 2010 - 2017
    • Rock, Ocean, Sky: Narragansett 2010-2017 Part 2
    • PC Nudes
    • Plein Air
    • Tijuana 1984 / 1987
    • Aurora
    • Boston
    • Cape Ann
    • New York
    • Vermont
    • Maine
    • Nightclubs 1986
    • Gaspe and New Brunswick, Canada
    • Quebec, Canada
    • Utah
    • California 1999
    • California Part 1: Death Valley
    • California Part 2: Eastern
    • Fall 2021 Kansas and Missouri
    • Fall 2021 Sand Dunes, Church and Gods
    • Fall 2021 Utah
    • Fall 2021 White Sands
    • Fall 2021 Grand Canyon
    • Fall 2021 Petrified Forest
    • Fall 2021 High Plains of Texas
    • New England Shoreline 2023
    • Mid-Atlantic 2023
    • American Epic
    • Eastern Newfoundland 2024
    • Central Newfoundland 2024
    • Western Newfoundland 2024
    • Utila, Honduras 2024
    • Utila, Honduras Portraits 2025
    • Utila, Honduras 2025
  • Blog
  • Contact
  • About
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K.C. Perry

43 Church Street
Pascoag, RI, 02859
401-499-7599

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K.C. Perry

  • Photographs 1
    • Block Island
    • Block Island 1978 - 1981
    • Walking: Cooneymus to Old Harbor Point 1986
    • Reflections in an Avoided Mirror
    • Block Island 2020
    • Ocean / Sky: One Hundred Views
    • Light in January: Cape Cod
    • Field
    • Rock, Ocean, Sky: Narragansett 2010 - 2017
    • Rock, Ocean, Sky: Narragansett 2010-2017 Part 2
    • PC Nudes
    • Plein Air
    • Tijuana 1984 / 1987
    • Aurora
    • Boston
    • Cape Ann
    • New York
    • Vermont
    • Maine
    • Nightclubs 1986
  • Photographs 2
    • Gaspe and New Brunswick, Canada
    • Quebec, Canada
    • Utah
    • California 1999
    • California Part 1: Death Valley
    • California Part 2: Eastern
    • Fall 2021 Kansas and Missouri
    • Fall 2021 Sand Dunes, Church and Gods
    • Fall 2021 Utah
    • Fall 2021 White Sands
    • Fall 2021 Grand Canyon
    • Fall 2021 Petrified Forest
    • Fall 2021 High Plains of Texas
    • New England Shoreline 2023
    • Mid-Atlantic 2023
    • American Epic
    • Eastern Newfoundland 2024
    • Central Newfoundland 2024
    • Western Newfoundland 2024
  • Photographs 3
    • Utila, Honduras 2024
    • Utila, Honduras Portraits 2025
    • Utila, Honduras 2025
  • Blog
  • Contact
  • About

Reflections in an Avoided Mirror

On Saturday, January 2, 1988, I awoke to another sunny cold winter day.  I was feeling depressed and alone.  I knew I needed to move and do something to brighten my internal bleakness. I was living in a small third floor apartment in Providence. I decided to go to Narragansett and be by the ocean. The spot I chose was one that was very familiar. When in school studying photography, we had a class trip to the spot.  I had returned there on occasion. Sometimes I was alone and sometimes with a friend. At this time this work was made, photography was a slow process. It was often weeks from shooting, to film developing, to printing. The world of instant digital photography had not arrived.

I went there alone. It was empty. January light is always interesting. The sun hangs low in the southern sky. It is warm and clear light. It was cold. I photographed for a couple of hours. My mood had improved as I photographed. I was excited about my vision that day. As soon as I arrived home I set about developing the film. By early evening I was in the darkroom printing the day’s work.  Before going to bed that night, the prints were all laid out to dry on screens that covered my floor. I was in full ecstasy because of the work was good. It released me from the sadness that began the day.

 The title, “Reflections in an Avoided Mirror” comes from a poem I read at the time.  It has to do with the realization that happiness comes from within. I was depressed with things that were external to my being. The joy of creating broke through that mirror that I did not want to face.  It is what was truly inside of me. I did not want to look inside that day, but when I did there was creativity, joy and happiness. I just did not know it. I learned not to avoid looking into the mirror. The reflections are amazing.

 I never really showed this work to anyone for over twenty-five years. The photographs have deep personal meaning to me. It truly was made by me, for me. I have gone back to the Narragansett rocks over and over again throughout the years. In later years my children would like to go and climb on the rocks. I enjoy visiting the rocks and photographing there. But the images of this day were special and different from all the others that would follow.

Reflections in an Avoided Mirror

On Saturday, January 2, 1988, I awoke to another sunny cold winter day.  I was feeling depressed and alone.  I knew I needed to move and do something to brighten my internal bleakness. I was living in a small third floor apartment in Providence. I decided to go to Narragansett and be by the ocean. The spot I chose was one that was very familiar. When in school studying photography, we had a class trip to the spot.  I had returned there on occasion. Sometimes I was alone and sometimes with a friend. At this time this work was made, photography was a slow process. It was often weeks from shooting, to film developing, to printing. The world of instant digital photography had not arrived.

I went there alone. It was empty. January light is always interesting. The sun hangs low in the southern sky. It is warm and clear light. It was cold. I photographed for a couple of hours. My mood had improved as I photographed. I was excited about my vision that day. As soon as I arrived home I set about developing the film. By early evening I was in the darkroom printing the day’s work.  Before going to bed that night, the prints were all laid out to dry on screens that covered my floor. I was in full ecstasy because of the work was good. It released me from the sadness that began the day.

 The title, “Reflections in an Avoided Mirror” comes from a poem I read at the time.  It has to do with the realization that happiness comes from within. I was depressed with things that were external to my being. The joy of creating broke through that mirror that I did not want to face.  It is what was truly inside of me. I did not want to look inside that day, but when I did there was creativity, joy and happiness. I just did not know it. I learned not to avoid looking into the mirror. The reflections are amazing.

 I never really showed this work to anyone for over twenty-five years. The photographs have deep personal meaning to me. It truly was made by me, for me. I have gone back to the Narragansett rocks over and over again throughout the years. In later years my children would like to go and climb on the rocks. I enjoy visiting the rocks and photographing there. But the images of this day were special and different from all the others that would follow.

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